Download PDF Radio Golf, by August Wilson
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Radio Golf, by August Wilson
Download PDF Radio Golf, by August Wilson
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About the Author
August Wilson is the most influential and successful African American playwright writing today. He is the two-time Pulitzer Prize-winning author of Fences, The Piano Lesson, King Hedley II, Ma Rainy's Black Bottom, Joe Turner's Come and Gone, Seven Guitars, Two Trains Running, Jitney and Radio Golf. His plays have been produced all over the world. One of the contemporary American theater's most innovative wordsmiths. Her plays include: Topdog/Underdog (2002 Pulitzer Prize for Drama), In the Blood (2000 Pulitzer-nominee), Fucking A, Venus (OBIE Award), The America Play and Imperceptible Mutabilities in the Third Kingdom (OBIE Award, Best New American Play). She is also a screenwriter, novelist, and MacArthur "Genius" grantee.
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Product details
Paperback: 120 pages
Publisher: Theatre Communications Group; First Thus edition (June 1, 2008)
Language: English
ISBN-10: 9781559363082
ISBN-13: 978-1559363082
ASIN: 1559363088
Product Dimensions:
5.4 x 0.3 x 8.5 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#250,391 in Books (See Top 100 in Books)
_Radio Golf_ is is the last play in August Wilson's "Century Series" set in 1997 Pittsburgh and, after The Piano Lesson (The August Wilson Century Cycle), it is his most powerful piece. In concluding his magnum opus, Wilson ends where the series began, at 1839 Wylie St. (the setting of Gem of the Ocean (August Wilson Century Cycle).) The Hill District has become derlict - a run-down part of the city where crime is rampant, poverty is endemic. Harmond Wilks, a candidate for mayor, and his business partner Roosevelt Hicks see an opportunity to redevelop the Hill District - gentrifying it and making millions for themselves. Their plans go awry, however, when it becomes apparent that the center of their redevelopment, 1839 Wylie, was illeagally purchased by the development company and the rightful owner, Elder Joseph Barlow, refuses to let his family home be torn down. A crisis of conscience follows: should Wilks proceed with the development? His position in the city and candidacy would allow him to illeaglly proceed, but he is morally conflicted; Hicks has no compunction.The play is powerful for a number of reasons: unlike many of Wilson's plays, the plot only obliquely addresses race - the conflict here is one of social class rather than of race directly. It also raises the question of how much responsibility does a society have to its underprivlidged? It was the issue of gentrification that resonated most strongly with me, however. As the Hill District is redeveloped, the long-time African-American community would be forced out (a Starbucks, Barnes and Noble, and Whole Foods would replace homes) replaced with business, homes and services catering to the upper-middle class (whites as well as African-Americans.) This is happening in my own city, and in cities around the country (5-Points in Denver, the Treme in New Orleans, the site of the old Cabrini Green in Chicago to name a few).The injustice of the process of gentrification is what WIlson highlights; it is essentially a class-conflict. As one working-class character, Sterling, reminds Wilks, "The white mayor he be the mayor of white folks. Black folks can't get the streets cleaned. The schools don't have no textbooks. Don't have no football uniforms, The mayor be the mayor of white folks. ... What's wrong with being the mayor for black folks?" To which Wilks responds, "I'm going to be the mayor for everybody. Its not about being black or white, it's about being American." Later in the play Hicks tells Sterling, "It's not my fault if your daddy's in jail, your mama's on drugs, your little sister's pregnant and the kids don't have any food 'cause the welfare cut off the money. Roosevelt Hicks ain't holding nobody back. Roosevelt Hicks got money. Roosevelt Hicks got a job because Roosevelt Hicks wanted one. You ... kill me blaming somebody else for your troubles. Get up ... quit stealing ... quit using drugs ... go to school ... get a job ... pay your taxes. Oh, I see, you can't do that because Roosevelt Hicks is holding you back."In the forward, August Wilson writes, "In the twenty-first century, we can go forward together. That was my idea behind the play." He has done this, and succeeded brilliantly in reminding us that all Americans have a fundamental responsibility to do right by each other. Such egalitarianism is at the heart of our shared national ideal. If you have a chance to see the play performed, do not miss it. Reading the play is an equally rewarding experience. My highest recommendations.
Anything August Wilson. My daughter brought me the complete series of plays by this marvelous playwright. I will keep it to hand down to my grandchild.
Clean, new/like new copy, came on time. Perfect for my class.
I mean, come on, it's August Wilson!
I love this series and this is one of the better ones. - Black realistate developer does right and sticks by his word as his friends abandon him
As good as Fences!
As expected.
August Wilson. Such a wonderful writer.
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